Eroticism
- Michel

- Apr 20, 2021
- 2 min read
Updated: Apr 9
Eroticism derived from the Greek ἔρως (eros) - is more than a quality of attraction; it is a philosophical inquiry into the aesthetics of sensuality. It is the tension between what is seen and what is felt.
For years, I found myself drawn to the complex anatomy of the human form, specifically the expressive power of feet and toes. While some might label the subject "unusual," I view it as an overlooked landscape of human intimacy. In the history of figurative art, we often focus on the face or the torso, but the feet carry our entire weight and history. They are the body’s most honest contact point with the world.

The Process of Waiting I do not approach my canvas lightly. My subject must find me as much as I find it. For "Tootsies," the planning phase—calculating the extreme foreshortening and the stark, geometric play of light and shadow—took far longer than the application of paint. I needed the perspective to feel immersive, almost overwhelming for the viewer, placing them at the very threshold of the figure's personal space.
The Work "Tootsies" is a study in perspective and vulnerability. The composition is sliced by a sharp diagonal of light, creating a cinematic tension that elevates the erotic theme into a moment of pure, sculptural form. It was a painting born of pleasure, precision, and a deep respect for the subtle curves of the human body. I invite you to also read this piece that will explain more on "Tootsies".
The Counterfeit Muse: A Post-Script on Authenticity
In the years since I first released "Tootsies," the image has taken on a life of its own. One that I could never have predicted.
In our hyper-digital age, an image is never truly static. Recently, I discovered that "Tootsies" has begun appearing in international catalogs—not as my original work, but as mass-produced, unauthorized reproductions created by "art factories" overseas. To see one’s work listed alongside the "Old Masters" and modern icons in these catalogs is a surreal, bittersweet validation.
There is a strange irony in this: the more a work is copied, the more the original gains in value. These "fakes" capture the likeness of the painting, but they cannot replicate the intent. They lack the deliberate brushwork, the careful calculation of perspective, and the specific "threshold" of tension that defines a Michel Devanakis original.
This global "piracy" is a powerful testament to the work's universal impact, but it also reinforces why authenticity matters. To my collectors: the hand-signed Limited Edition Giclée prints and the Certificate of Authenticity remain the only true points of contact with the work's DNA. In a world full of echoes, I remain committed to the original voice.
Tooties | Oil on canvas | Size: 70x100cm (27,5’’x39’’) | Original Sold
Limited edition Giclée prints are available here.
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