The Full Story

I've never been good at staying in one place.

My work moves between five different series (Beyond, Dominium, Intima, Humanitas, and

Abstract & Experiments), not because I'm unfocused, but because human experience doesn't fit into one category. We're complicated. We contain contradictions. My work tries to reflect that.

These five series are where I am now, not where I'll always be. When new ideas emerge that don't fit existing categories, they create their own space. I won't force them into predetermined boxes. I follow my own flow, not 'the' flow. For me, art isn't frozen in time or trends. This freedom to shift, explore and sometimes contradict myself, is what keeps the work alive. It keeps me entertained and keeps you surprised.

I paint mainly in oil (and sometimes acrylics) on canvas from my studio in Athens. Each painting takes four to six weeks. I was trained in classical drawing, which grounds me, but I’m not tied to tradition. I always follow my curiosity. When an idea arrives, whether it's a cosmic vision or a critique of media or an intimate gesture, I follow it. Even if it means changing direction halfway through, or beginning something completely new.

Not every painting carries a “profound meaning.” When I’m drained after a demanding work, I often return to my “Abstract, Collage & Experiments” series. It’s my playground and my relief valve. This is where accidents happen, where techniques evolve, and where I remind myself not to take it all too seriously.

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If there's a thread connecting everything, it's this: I'm drawn to Boundaries. Places where things shift from one state to another. Visible to invisible. Sacred to profane. Intimate to public. Serious to playful. I paintthe thresholds. The moments of transformation.

That's where the interesting stuff happens.